If Stone Could Speak
2026
St Paul's Churchyard,
London
Wayfinding design and public exhibition/pavillion outside St Paul's Cathedral, for the City of London and Cheapside Buisness Alliance BID.
In(Visible) Energy
2024
Mies Van der Rohe Pavillion,
Barcelona
Exhibition design and production to support an installation engineered by UCL Here East research team. Everything is threaded - each of the different structures requiring no nuts, held together and given rigidity by the display items themselves. This idea references the manufacturing and structural system of the pebble stacks and stems from the importance of connection details in these sculptures The other main design driver was the site itself, particularly concerned with the interaction between the stands and the gridded travertine. I wanted to use the gaps between and the void below to give the spindly structures stability, as well as hiding electrics and defining location.
A34
2025
Greatorex Street, London
Site and brief specific installation for On Paper at Greatorex Street as part of Tellus Triannual Curated by Isis Powers Bird 17.07 - 27.07 *Extended until 03.08! Magnets, hardware, paper 4500mm x 5500mm x 3500mm
Installation 3
2024
(Speculative)
Continuing with my interest in manipulating metal to create ‘textiles’ that interact with light. Warp is an activatable structure where by lights move inducing variations in lighting patterns. It would be introduced & demonstrated to the festival goers by a live improvised dance & musical enbamble, able to adjust the lighting rythmically as they perform. The system can be scaled, but began as a wall structure with bespoke kinetic mechanisms. Extremely difficult and labor intensive to manufacture at scale to be safe.
Strider
2024
(Proposal)
Site specific installation inspired by stider insects that sit ontop of water.
Installation 2
2024
Brixton, London
(Speculative)
1:10 scale model of a site specific wind powered installation. Inspired by the motion and form of agricultural machinery and our growing dependence on it, the components lurch, swing and rotate through a series of interconnected mechanical pathways.
Narcissus
2019
Walmers Yard, London
Sensory performance and installation. Comprised of three datums created using thin membranes, which interacted with each other and the courtyard displaying caustic light and echoing sound. I focused on production of the lowest datum, a latex membrane, clamped at the corners with hand crafted handles. I reiterated the design to manipulate the material into uncharacteristically being translucent whilst withstanding tension and vigorous movement. It could be flexed and shaken to produce reflections on the floor and umbrellas above and immense sound.